francofiled

 I've only been to a couple of such exhibitions in which the work of artists is projected onto walls, ceilings and screens to the accompaniment of musical soundscapes. As it was nearing the end of its run in Belfast at the Carlisle Memorial Church we decided to make a day of it and visit The Claude Monet Immersive Experience.   Although not as extensive as an experience we viewed in Paris at the Atelier des Lumières  we very much appreciated the scale and depth of this one and its venue -  an old church at Carlisle Circus in Belfast. It was just right and care had been taken to present material in fine detail. Monet's art was set in context through several information boards, again that music bathing us in sound. A walk through a set with the bridge and the artist's home at Giverny; books on top of a table as if they had just recently been read and set down. Details. We moved on through into the body of the church taking a seat in one of the many deckchairs arou...

"Make sure," advised the museum art curator, "to always buy the catalogue of important art exhibitions you attend." She explained that a great deal of time and effort would have gone into bringing the various items together from different collections or galleries around the world. It would be fairly certain that those pictures would never again be together in the same exhibition. Since that talk to our French Cercle around 15 years ago I've heeded her advice as often as interest and wallet would allow. Pity I wasn't aware of her good counsel for one exhibition I attended when I had just turned 20 and when such advice was beyond my maturity.  Still, that exhibition left an indelible mark and an enduring appreciation. Surrealist exhibition It was 1971 in Bordeaux on a free day away from summer camp duties as  moniteurs a group of us visited the Galerie des Beaux-Arts which was hosting an exhibition on Surréalisme. We recognised of course some of the artists...

Smile! Yes this puzzle brings back a memory and makes me smile. I did it once before - although that's not strictly true as in a sense I didn't quite complete it, someone else did. It was back in 1974 and I was living then in Vierzon, renting a room from a propriétaire on the outskirts of the town. There wasn't much to do in the evenings and one way of passing the time I decided was to tackle a jigsaw.  A good sized one mind you, at least 1000 pieces. Thanks to the local librairie I was able to to get a puzzle of La Joconde, Leonardo Da Vinci's Mona Lisa and it turned out to be a labour of love. I hadn't at that stage seen the original in the Louvre and when I did it struck me as smaller than I expected.  All the same I got to know those brush strokes fairly well and the background?  Well there's a lot of detail there too.  Jigsaws are a great way to appreciate a work of art. And as for the smile?  Getting there. My efforts with the puzzle were ...