Fête des rois. Gavottes and galettes in Belfast

Last month's réunion of the Cercle français was a colourful and festive occasion. The tables of the Dark Horse Coffee House had been moved to the perimeter to leave plenty of space for dancing and the walls were draped in bleu, blanc, rouge bunting. Musicians from BalFeirste played Breton music on a variety of instruments including the bombarde. The atmosphere at this early stage of the evening was full of buzz and chat.

Philip McGrory lived up to the MC in his name and soon had us organised for the evening. First up, he explained was a demonstration of a gavotte. Vanessa and Fergus took to the floor, others of the troupe joined in and our evening got into its rhythm.

Following a spell of more music and chat, we were called back to order for a couple of magic tricks. Magic, Magi and the fête des rois. In a nice touch, one of the magician's tricks involved participants who were all French. He supplied them all with menus from the restaurants of famous French chefs and somehow managed to get them all to select dishes from the various menus, the cost of which added up to an amount he had previously written on an enveloped card.

Then on to the galettes, prepared by Amélie. They were délicieuses! And substantial. Each baked with a fève inside. Warned beforehand to be careful when eating, it was soon established that 4 femmes and 2 hommes were in the running to be selected queen and king for the evening. This was decided by ballot. Vive la révolution! More music and la reine and le roi took to the floor in a celebration dance.

Vanessa then distributed copies of a song and got the whole audience to sing-a-long. That finished, it was back to the floor for a demonstration of and a joining in a chapelloise. Cameras and phones flashed all around as people captured the festive fun.

It was a great evening. Thanks to all who joined in and made it possible.

 

The Story of Grand Marnier


There was a good crowd at the latest event in this year's programme from the Cercle français de Belfast  when "yours truly" gave the talk on Grand Marnier.  As usual the Dark Horse Coffee House in the Cathedral Quarter matched the proceedings perfectly.
I decided that it might be a fun idea to do a kind of Who Do You Think You Are? approach to the subject.  The concept of the popular BBC ancestry programme has made it into French, in Canada at least, where it is known as Qui Êtes-vous?
The first part of the enquiry then looked into the origins of the drink and focussed on Jean-Baptiste LAPOSTOLLE who, in 1827, set up a distillery to make fruit liqueurs in Neauphle-le-Chateau near Paris.  The story moved to his son Eugene who returned from travels with bottles of "burnt wine" - brandewijn - from the Cognac region.  He is said to have offered a taste to his friend Louis-Alexandre MARNIER who hit upon the idea of adding his recipe for bitter orange curaçao to the cognac.  A perfect marriage.
Louis-Alexandre joined forces with the LAPOSTOLLE family business and also married Eugene's daughter Julia Regina.  The alliance of Marnier-Lapostolle is still confirmed by the red seal and ribbon on bottles of Grand Marnier Cordon Rouge as you can see from the above picture.
At the time of the Paris Exposition Universelle in 1889, the drink was still referred to as Curacao Marnier, that was until Louis-Alexandre's friend César RITZ brought his marketing skills to bear.  As someone who could spot a quality product likely to appeal to the rich and famous he prompted Louis-Alexandre to rename it Grand Marnier.  The "grand" prefix went against the trend of the time in referring to things as "petit" - Le Petit Journal, Le Petit Parisien, Le Petit Palais etc.  It caught on, quickly adopted by a well-to-do clientele.  Among these was the then Prince of Wales, Bertie, who went on to become Edward VII and who would have a considerable part to play in the building of the Entente Cordiale.
Our story took a brief aside to look at the career of César RITZ and his colleague Auguste ESCOFFIER.  There followed an appreciation of Crêpe Suzette with different suggestions as to how that dish originated and indeed how it is made.
We later considered how helpful Louis-Alexandre was to Ritz in helping him acquire premises in place Vendome to set up the famous Paris Ritz hotel.
The evening wouldn't have been complete without une dégustation and soupçons of Cordon Rouge were passed round for a sniff or taste.  That provided an opportunity to look at some contemporary marketing of the product including a video on mixing a long drink cocktail.
Members were delighted to see examples of some of the specialist bottles produced by the company and the blue bottle of 2012 depicting the Parisian Skyline was a hit!
One of the members, Sandra, had brought along her bottle - in case it was needed -  and we had a little more fun deciphering the number code on the bottle neck.
The first two digits indicate the year, in our case '13; the next three the day number of the year, so the 15th day of the year is 15 January and the last two digits show the hour in which it was bottled, in our case after 16h.00 and before 17h.00
Try this next time you pick up a bottle. It turns out that Sandra's Grand Marnier was in the bottle at 10h.00 that same day! Older!

Of course, we covered plenty more.  Members talked about how they preferred it as a straight liqueur, no ice or how they used it in cooking.  Some said that they had a bottle at home and knew precisely what they would be doing when they got back after the talk. Do you know we had exactly the same idea?

Questions
Were you there?  Anything you would like to add? What liqueur should we talk about next year? Bénédictine perhaps?

More information?
Check out the Grand Marnier website here.   Remember to drink responsibly and with style! Santé!


The Parisianer


Spending a bit of time browsing recently I came across a post on the Lost in Cheeseland blog.  It related to a creative arts project that needs funding to ensure its success. No different, you might think, from any other project but what I liked in addition to the theme itself was its funding model.  More in a moment.
The project is called The Parisianer and the idea is that 100 artists/illustrators will share 100 pictures capturing the essence of Paris.  At the end of this year there will be an exhibition, a book and posters of the artwork.

To succeed the project needs financial backing and rather than chasing grants or money from other sources it uses the concept of CrowdFunding fuelled by social media.  People share details of the project on their social networks and if they are so minded contribute to specified subscription ranges. When the project is realised they are sent the items listed for the respective price bands.
If insufficient funds are raised and the project does not go ahead any monies contributed are returned. Progress is recorded on the website to show how much has already been raised and how many days remain for contributions. The service is provided by KissKissBankBank and it is encouraging to see the number and variety of creative projects being financed in this way.

Of course, I signed up. I definitely would like to have that book.  Although I've written about books on Paris before, I got to thinking - what captures the essence of the city?
The monuments? The cafes and restaurants? Light? The Bridges?  For me, walking along the Seine would be high on the list.
What captures its essence for you?

Like to know more? Check out this link to The Parisianer project.

Sculptor of the Wallace Fountains


A supplement to last post on the repositioning of the Wallace Fountain in Lisburn, to acknowledge the handiwork of Charles-Auguste Lebourg, a sculptor from Nantes, commissioned by Richard Wallace to design the famous water fountains.
Read more at Wikipedia here.